Steve Wallet: Many people find Schindler’s buildings, particularly his later buildings like your house (Fig 1), to be unpleasantly strange. Do you understand that view, or has the house always looked beautiful to you? Has living in the house affected your view of other non-mainstream, unconventional art and architecture?
Diane Garver: I never found the house unpleasantly strange, different but it is what I knew and was used to. I found normal houses strange, dark, flat, exposed to the streets and the public. My friends didn’t know it was raining unless the sky had opened up. When I moved in with people who liked to move furniture around in the house I was utterly conflicted.
Many, many thanks to Diane Garver, daughter of Adolph Tischler. Like her father, she generously shared her story of her life in their Schindler house.
Special thanks for Diane’s wonderful photographs of her family in their house. All her photographs are copyright Diane Garver, all rights reserved. They are used here with her kind permission.
This interview was conducted by email, starting 11/10/2012
Diane Garver: I now am working part time in a home office for an 85 year old. My introduction to this man came through his wife who I met at the park pool water aerobics class. I had heard her talking about Westwood and so finally asked her where she had lived. It turns out she and her husband lived 8 houses up Cashmere from our (Schindler) house. I never met them in LA, their children were younger, but it really is a small world.
My passions for the last part of my life are building friendships, living with others and WATER AEROBICS.
The house and you on a personal level
I grew up in a suburban tract house and all my friends lived in tract houses. What was it like to grow up in your house? Were you or your friends aware of it as different? Was that fun or strange or both? Continue reading Growing up Modern, part 1 of 3→
I thought the How House was pretty simple, until I tried to draw a floor plan. I then started a model to help me understand it, and found out how complex it really is. Although I present this analysis in a linear form, “building” the How House, it was designed as a whole and not in a step-by-step fashion. (figure 1) Continue reading RM Schindler’s How House, 1925, part 4 of 4, form→
san diego design, cartoons, architecture, furniture