“All of his periods were the result of change in the economy except for the last – which one can hardly call a period because he had no opportunity to carry it forward than one house….. But the presence of so many three-quarter height screen walls is haunting. The (Skolnick) house (fig 2) is essentially a carousel, an open space with a merry-go-round in the middle. …How he would have continued we can’t say.” ¹