Developing a technique

Once I had created the mural image, I realized I had no idea how to paint it. We knew we wanted the mural to look ripply, like it was being seen through water. We thought that using large brushstrokes would do this, and we liked the idea of an image that makes sense at a distance but breaks up into pieces of color up close. So my first step was to transform the image into brush strokes. I used Photoshop to give a feel for what the mural might look like (top image).

Our garden is too dense to transfer the image to the door using a projector-too many plants in the way. I decided to use a grid. Our garage door is made from wood boards, with horizontal grooves between the boards. I put a grid onto the rippled image, using the grooves for the horizontals and lines 1′ apart for the verticals. I marked the verticals with chalk on the ground, and had a grid to rough out the images (second image).

I then used 24″ wide brown kraft paper to try out different techniques. The large paper allowed me to practice full-size, important for doing such a large mural. I started with smaller pencil sketches to get a feel for shapes, curves and colors. Since the paper is brown, I used a white pencil for the highlights, and a dark blue pencil for dark areas (third image).

We next selected paint, picking the strongest colors. I tried to keep the number of colors down, knowing I would be doing lots of blending. We finally settled on 11 colors.

I decided to tackle the blue water at the top first, starting with the white of the sun through the water and blending out to the dark blue at the sides. The dark blue matched the garage wall color. It seemed natural to try a sponge for this large, simple blending (fourth image). I liked working with the sponge so much, that I decided to use it for the entire mural.

Image Descriptions

First: Rippled image

Second: Rippled image with grid

Third: Pencil sketch on kraft paper

Fourth: Water blending sample

Fifth: Kelp sample

Sixth: Purple coral

Seventh: Sponging the mural with paint cans, blended colors in yogurt containers, and the rippled, gridded image in the background

Eighth: Red/black fish

Ninth: Yellow fish

Tenth: Orange coral

Eleventh:  “Artist” signature

Next article: the mural unveiled

My first mural

Some years ago, we saw a wonderful underwater themed tile mural at a hotel in Laguna Beach, California. We decided we would like something similarly underwater-related in our garden.

A few years later, a neighbor’s new fence was going to impact our access to the far side of our garage which needed painting. Remembering our underwater idea, we picked a very, very deep blue paint. The garage would be “underwater.”

Our garage is detached at the back of our lot. The garage door isn’t obstructed by plants, furniture, or the deck….it seemed a perfect spot for an underwater mural.

We had saved underwater images for years, not knowing what we would do with them. We also looked online for underwater images. And coincidentally, our friend Rita sent us beautiful digital photographs from her visit to San Diego’s Birch Aquarium.

We decided to pick the best and assemble a photo montage of fish, coral and kelp. We selected images for their intense colors, and for colors we will use on other areas as we continue to paint our house. Using Photoshop, I trimmed , cut-and-pasted, reversed, enlarged, reduced, stretched and combined them together. Our garage door is 7′ high and 16′ wide, so I worked with an image 7″ high and 16″ wide. The final result may not be scientifically accurate, but it is very colorful.

Next article: Converting from digital to paint

First image: tile mural in Laguna

Second: garage wall “underwater blue” paint

Third-Fifth: Rita’s fish photos

Sixth: final fish/coral/kelp underwater montage